Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

A woman struck down by terminal cancer shuns conventional medical techniques at her husband's insistence and turns to alternative treatment to combat the disease.

A prismatic view of college and the existential angst encountered when faced with questioning one's purpose and direction in life. A philosophical comedy that intertwines ancient greek philosophy and playwriting with modern day escapism and dread.

What are the first existential queries that lead us to question the absolute and consult teachers, parents, priests or older siblings? "The Big Question" is based on an idea that is very simple yet rather complex: it poses extremely direct questions to a large and varied group of people regarding their own intimate perception of the divine. The peculiar microcosm, a surprising sociological container, is the backdrop where these inquiries take place; it acutally is a 'non-place' par excellence: the set of 'The Passion of the Christ' by Mel Gibson. The documentary, that has nothing to do with a 'making of', reads as a singular notebook of laic catechism, and its essence is the cultural, religious, social and geographical variety of those interviewed. The topics suggested through the assorted questions are confronted by a subtle, sometimes humorous research, which touches everyone: believers, atheists, agnostics, or the undecided. The allegoric and hieratic soul of "The Big Question" is a white dog that passes through valleys, mountains and ghost towns of southern Italy, during a voyage more oneiric than realistic.

人类生活在不断的运动中，提出问题并得到答案。新知识使他越来越深入，帮助他理解宇宙的规律。会不会有一刻他什么都学会了？这可能吗？

Comedic British History

When sixteen-year-old Lola is forced to relocate to Casper, Wyoming with her anxious, existentialist mother - she ends up falling for her eccentric grandmother's ranch hand.

The story of the Crown Prince who tries to erase history in order to become the king, and the young officer who tries to stop him.